1992
Конец Санкт-Петербурга или Новый Икар
6.3/10
1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the div...
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Конец Санкт-Петербурга или Новый Икар
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1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.
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Edward Shelganov
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Edward Shelganov
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