1968
Buongiorno Michelangelo
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The film challenges the aura of the artwork, pushing it towards performance in urban space. During the exhibition Con-temp-l’azione (1967–68), at the three galleries Stein, Sperone and Il punto, two w...
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Buongiorno Michelangelo
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The film challenges the aura of the artwork, pushing it towards performance in urban space. During the exhibition Con-temp-l’azione (1967–68), at the three galleries Stein, Sperone and Il punto, two works by Michelangelo Pistoletto are taken out into the street. The film marks the beginning of a more militant and performative phase in Pistoletto’s career, opening up possible references to Situationism, Fluxus and nouveau réalisme. The film starts with Pistoletto shaving in front of one of his ‘mirrors’: the codes of everyday life and advertising burst into the scene. The large ball of newspapers roams Turin in a convertible automobile. The music of The Beatles accompanies the exploration of different filming and editing techniques. Intense, amused and brilliant, Buongiorno Michelangelo suggests a performative, cooperative and perhaps also playful aspect of the attitude of this short and intense period. —Tate Modern
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Ugo Nespolo
Director
N/A
Writers
Cast
Michelangelo Pistoletto
As
Maria Pistoletto
As
Daniela Chiaperotti
As
Tommaso Trini
As
Daniela Palazzoli
As
Gianni Simonetti
As
Vasco Are
As
Gian Enzo Sperone
As
Gilberto Zorio
As